Reading List, Semester II

Reading List
Cameron Bennett, Group III
Fall 2010


Baudrillard, Jean. “Simulacra and Simulations.” Revisions. Ed. H. Smagula. Prentice Hall, 2004. PP. 100-107

Coggins, David. “Michael Borremans at David Zwirner.” Art in America 94 (no. 6, June/July 2006): 194-5

Coggins, David. “Michael Borremans.” Art in America 97 (no. 3, March 2009):88-95

Collins, Bradford. “Modern Romance, Lichtenstein’s Comic Book Paintings.” American Art Magazine (Summer 2003):60-85

Gaggi, Silvio. “Replications and Convergences.” Modern, Postmodern, A Study in Twentieth Century Arts and Ideas. University of Pennsylvania Press, 1989. pp.57-87

Gaiger, Jason. “Post Conceptual Painting: Gerhard Richter’s Extended Leave-Taking.” Themes in Contemporary Art. Ed. G. Perry, P. Wood. Yale University Press, 2004

Kunstsammlung Nordrhein-Westfalen. “Gerhard Richter, Catalogue Raisonne 1993-2004.” Richter Verlag/DAP/Distributed Art Publishers, Inc. 2005

Kunstmuseum Wolfsburg. Neo Rauch, Neue Rollen. Paintings 1993-2006. Ed. Holger Broeker. DuMont Literatur und Kunst Verlag, Cologne, 2006

Linker, Kate. “From Imitation to the Copy to Just Effect: On Reading Baudrillard.” Revisions. Ed. H. Smagula. Prentice Hall, 2004. PP. 108-115

Marcelis, Bernard. “Michael Borremans.” Art Press (no. 311, April 2005): 72

Marcelis, Bernard. “ Michael Borremans.” Art Press (no. 326, 2006): 81-2

Rao, Srinivas. “The Iconic Turn: The Janus Face of Image and Text.”
From the web: http://www.svabhinava.org/abhinava/SrinivasRao/IconicTurn

Ruby, Laura. “Theory and Criticism of Art.” Course Syllabus, University of Hawaii
From the web: http://www.hawaii.edu/lruby/art302/theory.htm

Schwarz, Dieter. “Gerhard Richter, Drawings 1964-1999, Catalogue Raisonne.” Kuntsmuseum Winterthur/Richter Verlag Dusseldorf, 1999

Siegel, Jean. “After Sherrie Levine.” Arts Magazine (Summer 1985)
From the web: http://www.artnotart.com/sherrielevine/arts.Su85.html

Taylor, Mark. “The Picture in Question.” University of Chicago Press Books, 1999

Wittcox, Eva. “Michael Borremans.” Flash Art (November/December 2004): 111