Reading List, Semester III

Bibliography
Third Semester

Cameron Bennett
Group 4

Batchelor, David. Chromophobia, Reaktion Books Ltd, London, 2007

Bazin, Andre. “The Ontology of the Photographic Image,” What is Cinema? University of California Press, Berkeley, 1967, 9-16

Beeber, Neena. “The Heat of the Moment,” American Theater, November, 2005, Vol. 22 Issue 9: 48-52

Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction,” The Nineteenth Century Visual Culture Reader, Ed. Vanessa Schwartz and Przyblyski, Jeannene M. Routledge Taylor and Francis Group, NY and London, 2004, 63-70

Currie, Gregory. “Photography, Painting, and Perception,” The Journal of Aesthetics and Art Criticism, Winter91, Vol. 49 Issue 1: 23-29

Fischer, John. Review of “Photography and Philosophy: Essays on the Pencil of Nature,” Notre Dame Philosophical Reviews, http://ndpr.nd.edu/review.cfm?id=15286

Flint, Kate. “Painting Memory,” Textual Practice, Winter, 2003, Vol. 17 Issue 3: 527-542

Hawker, Rosemary. “The Idiom in Photography As the Truth in Painting,” The South Atlantic Quarterly, Summer, 2002: 541-554

James, Sarah. “What Can We Do With Photography?” Art Monthly, Dec, 2007, Issue 312: 1-4

McGrath, Robert L. “Sight & Insight: The Radical Realism of Burton Silverman,” Sight & Insight: The Art of Burton Silverman, Madison Square Press, New York, 1998, 13-23

Sanden, John Howard. Portraits From Life in 29 Steps, North Light Books, Ohio, 1999

Sanden, John Howard. International Artist, Oct/Nov 2001: 39-45